Posted by Kimberly Lindbergs on February 23, 2017
Life has been throwing me lots of curveballs lately and when I’m feeling low, I tend to gravitate towards what I like to call “comfort food films” and my comfort food tends to be classic horror films. During the cold winter months, cozying up on the couch with a warm beverage and a couple of creaky old black and white horror movies can make even the worse week seem manageable. Fortunately, I found exactly what I required streaming on The Criterion Channel of FilmStruck, The Haunted Strangler (1958) and Corridors of Blood (1958). Both of these low-budget British thrillers were directed by Robert Day and feature standout performances from William Henry Pratt aka the one and only Boris Karloff.
Posted by Nathaniel Thompson on September 14, 2016
Do you love dogs? Of course you do, and so do most moviegoers if Hollywood history is any indication. However, if you had to name the biggest decade for man’s best friend, which one would it be? The heyday of Rin-Tin-Tin in the ‘20s? The arrival of Lassie in 1943 or her TV reign in the ‘50s? Maybe, but for my money the winner hands down has to be the 1970s – and there’s one breed that personified the Me Decade more than any other. Just as the United States was plunging into the chaos of Watergate, the whole country seemed to go canine crazy in 1972 when the most famous comic strip pooch got a theatrical vehicle with Snoopy Come Home and the Newberry-winning novel Sounder became a multiple Oscar-nominated prestige release. [...MORE]
Posted by Kimberly Lindbergs on November 5, 2015
Tomorrow the 12th Another Hole in the Head film festival kicks off in San Francisco and for the next 11 days (Nov. 6-16) you can catch a variety of independent horror, science fiction and fantasy films being shown at New People Cinema located in Japantown: one of the city’s most scenic and culturally diverse spots. This year’s festival will include 26 feature films and 90 shorts that showcase the “raw underbelly” of independent cinema.
In the words of festival programmer Michael Guillen, Another Hole in the Head is “characterized by a scrappy, DIY aesthetic that eschews big studio content and recent trends towards elevated genre. Holehead’s programming remains curatorially committed to the genre’s graphic roots in shockploitation, visceral thrills and gleeful mayhem.” As a genre film fan with a particular interest in horror I was intrigued by Guillen’s joyful and graphic description so I decided to ask him a few questions about the festival and his programming selections this year.
Posted by Kimberly Lindbergs on October 15, 2015
All month long TCM has been airing films made by women on Tuesday and Thursday night as part of their groundbreaking Trailblazing Women series hosted by Illeana Douglas. According to Charles Tabesh, senior vice president of programming for TCM, the goal of Trailblazing Women is to “Highlight the impact of female filmmakers throughout history and encourage future female filmmakers.” The response has been overwhelmingly positive and it’s heartening to see TCM’s resources used to educate, inform and inspire viewers.
I’ve been enjoying a lot of the Trailblazing Women programming myself but since we’re in the middle of Schocktober, I thought I’d set aside some time to highlight some of my favorite horror films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female friendly. The truth is that horror cinema is one of the few genres where women filmmakers are making impressive inroads and their groundbreaking work is well worth seeking out this month or any month.
Posted by Kimberly Lindbergs on July 9, 2015
Female film composers are a rarity but there are some wonderful examples of talented women working behind the scenes who managed to flourish under the tight deadlines imposed by film studios while creating memorable music for the movies.
One of my favorite female composers is the late Elisabeth Lutyens who was born on July 9th in 1906. On the occasion of what would have been her 109th birthday if she had managed to live that long, I thought I’d celebrate her career in British horror films where Lutyens earned her “Horror Queen” moniker by composing some of the genre’s most innovative, accomplished and unsettling soundtracks.
Posted by Kimberly Lindbergs on June 11, 2015
Horror fans received a double blow this week. It started with the news that Richard Johnson (1927-2015) had died and today we woke up to the news that Christopher Lee (1922-2015), arguably the last of the great classic horror film icons, had shuffled off this mortal coil to join his old pal Peter Cushing in repose.
Both Lee and Johnson worked in a variety of film genres and played remarkably similar roles throughout their careers including soldiers, kings, adventure seekers, fortune hunters, cops, criminals, doctors, professors, investigators, government spies and spy villains. But for myself and many others, it is their distinct body of work in horror films that has made the most impact and will undoubtedly survive them for many decades to come.
Before learning about Lee’s passing I was preparing a written tribute to Richard Johnson, which you’ll find below, but I couldn’t possibly let Lee’s death go unmentioned. He remains one of my favorite performers and a giant among men both figuratively and literally. The tall, dark and strikingly handsome actor will undoubtedly receive many well-deserved accolades today and in the weeks to come but I hope you’ll make time to watch TCM’s touching video tribute.
Posted by Kimberly Lindbergs on July 31, 2014
This week marks the 100th birthday of Mario Bava who was born on July 30th (according to leading Bava researcher Tim Lucas and author of the essential Mario Bava: All the Colors of the Dark) or 31st (if you want to believe IMDB.com and Wikipedia). The brilliant Italian director, cinematographer, special effects artist and screenwriter died in 1980 but today he’s fondly remembered by horror film enthusiasts as the Maestro of the Macabre. Bava has long been one of my favorite filmmakers so I couldn’t let this important anniversary pass without acknowledging his artistry.
Posted by Kimberly Lindbergs on October 24, 2013
This post is part of my month-long celebration of Vincent Price–TCM’s October Star of the Month. For further reading see Vincent Price Takes Center Stage, Vincent Price’s Small Screen Successes and Vincent Price & Gene Tierney: A Doomed Romance.
Since moving to the Napa Valley–one of America’s premiere ‘foodie’ capitols–three years ago I’ve been trying to teach myself how to cook. Decades of city apartment living had turned me into a takeout junkie and I could barely remember how to put a proper sandwich together. Why bother when you have a great Italian deli just a block away? So far my cooking adventures have yielded mixed results but I’m always on the lookout for new recipes and cooking ideas so I recently turned to Vincent Price for inspiration.
Posted by Kimberly Lindbergs on October 4, 2013
This month marks the 20th anniversary of the death of one of my favorite actors; the remarkable Vincent Price. Vincent Price also happens to be TCM’s Star of the Month and every Thursday throughout October viewers can tune in to see him in a wide-variety of films that showcase his exceptional talents. I can’t think of many other actors I’d like to spend the hallowed month of October with so I’m going to devote the next four weeks to the “Crown Prince of Horror.” To kick start my informal tribute to Vincent Price I thought I’d take a look back at his early stage career in New York working with Orson Welles and the legendary Mercury Theatre.
Posted by Kimberly Lindbergs on August 29, 2013
My earliest memory of Julie Harris stems from an unplanned late night viewing of THE HAUNTING (1963). I was home alone and sulking about having to take orders from a teenage babysitter who was just a few years older than me. Much to my delight, the babysitter had very little interest in what I was doing and she spent the entire evening smoking cigarettes with her boyfriend on the back porch. I had the television all to myself so I eagerly planted my behind just a few feet away from the screen and started flipping channels until I stumbled across a black and white movie. I knew from experience that if I came across a black and white movie playing on TV late at night it was probably a horror film so I settled in for the long haul with some sugary snacks and quickly found myself engrossed in THE HAUNTING. This moody supernatural thriller absolutely terrified me but I couldn’t turn it off and the film immediately became a fright filled favorite. A few years later I read the book it was based on and got the opportunity to see the movie again and again thanks to the wonder of home video. And when I finally caught a screening of it at a revival theater in the early ‘90s my profound appreciation of Robert Wise’s film only grew. But I never forgot how THE HAUNTING made me feel during that first accidental viewing. It set my teeth on edge, made my blood run cold and left my young heart in tatters. And a large part of that was due to Julie Harris’ unforgettable portrayal of the doomed Eleanor “Nellie, my Nell” Lance.
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