Snapshot-2015-07-16 at 07_55_33 PM-1945907245
July 18, 2015
David Kalat
Posted by:

Guest post: How to Solve a Problem Like Maria

In case you missed the listings, TCM is screening Fritz Lang’s Metropolis this week—and users of the splendid TCM smartphone app can stream it at their leisure. I have a very fond spot for this film, beyond its significance as a masterwork of world cinema. I was a student at the University of Michigan’s Film and Video Studies program in the early 1990s when a previous restorations effort was unveiled at the Michigan Theater. In 2010 I was asked by Eureka’s Masters of Cinema to contribute to the UK Blu-Ray edition of the newest restoration, and got the special privilege of being one of the first people to see it.

Earlier this summer, the Chicago Symphony’s CSO at the Movies program screened the film with live accompaniment by the symphony, and I had the pleasure of taking my daughter Ann to see it with me. She had not seen the film before, and came out of the screening full of energy and enthusiasm for what she’d just experienced. It occurred to me that given that she’s blogged here before in my place, I should once again hand the keyboard to her to let her share her perspective. Click the fold below and I’ll let Ann take over from there—

[...MORE]


KEYWORDS: Fritz Lang, Metropolis
COMMENTS: 5
SUBMIT
jpg00067
January 10, 2015
David Kalat
Posted by:

The Ministry of Fear

So what do we find here? Two different fortune tellers, neither one genuine. A dead man who isn’t dead—or, put another way, a man who is killed twice. Two different characters who kill a loved one, a set of secret microfilm that is stolen twice, a fake blind man, fake cops, a fake delivery of some fake books to a fake address. Is Mr. Travers the same man as Dr. Forester, or is Mr. Travers the same man as Mr. Costa? Which Mrs. Bellane is the real one—or is neither one of them a real person?

OK, slow down. Take this one step at a time.

[...MORE]


KEYWORDS: Dan Duryea, Fritz Lang, Ministry of Fear, Ray Milland
COMMENTS: 9
SUBMIT

Man Hunt (1941)

Fritz Lang’s Man Hunt, also known as “the other 1941 movie with Walter Pidgeon and Roddy McDowall,” starts as a tense “what if” story, becomes a taut thriller and ends up a rallying cry for England’s war effort, and through it all it never stops entertaining, never stops thrilling.  It couldn’t have been easy directing propaganda efforts in the war years, knowing that no matter what artistry you injected into the movie, its main intent would be to rally support and bolster morale while the bombs fell but some directors handled it with aplomb.  Fritz Lang was one such director and Man Hunt is one of the best propaganda efforts to emerge from the early war years.

Man Hunt 01

[...MORE]

jpg00009
April 19, 2014
David Kalat
Posted by:

Occupy Fritz Lang

There is a secret conspiracy that rules the world.

This hidden power can make or break a fortune at a moment’s whim.  It decrees the rise and fall of nations.  It chooses who lives, and who dies.

There are some—like the heroic British spy with a number for a name, or the alluring Mata Hari-like international woman of mystery he keeps running into—who think they can use the tools of surveillance, cryptography, and overall spookcraft to expose this obscure force and save the world.

Wanna know a secret?  This secret power—he’s a banker.  You can Occupy Wall Street all you want: the Great Banker is the spider at the heart of this massive web, and he will outlast you all.

So, yeah, for a silent movie made in Germany in 1928, there’s a lot going on here.  You can play along at home if you want when TCM runs this later tonight.

[...MORE]


KEYWORDS: Alfred Hitchcock, Fritz Lang, spies
COMMENTS: 4
SUBMIT
while_the_city_sleeps_ver21
March 1, 2014
David Kalat
Posted by:

While the City Sleeps: Hell, Yeah!

Last week’s post on Jean Renoir’s The Elusive Corporal brought to light a pocket of fans of Fritz Lang’s While the City Sleeps—and so in honor of that long-suffering cohort, this week I figured I’d properly pay tribute to one of Lang’s unsung classics.

[...MORE]


KEYWORDS: Dana Andrews, Fritz Lang, George Sanders, Ida Lupino, M, Vincent Price, While the City Sleeps
COMMENTS: 8
SUBMIT

Precipageddon is upon us!

The Rains of Ranchipur

It’s raining in Los Angeles and we’re afraid. Rain does that to us, occurring as it does here so infrequently. Our terra firma is too sun-baked to properly absorb precipitation and there is too much concrete; our storm drains are clogged with leaves and fast food detritus and the rain water pools when it comes down, forming lakes at every intersection and making sluiceways (yes, sluiceways) of the gutters. The natural response of Angelenos to rain is to drive very, very fast, cutting yellow lights in the red and not using turn signals. We can only hope this helps. I am high and dry at the moment and thinking of some of my favorite rain scenes in movies because, as film lovers do, when real life intrudes I go to the movies…  [...MORE]

jpg00020
December 14, 2013
David Kalat
Posted by:

A girl and a gun

For the last few weeks, we’ve been looking at the career of Claude Chabrol, a filmmaker who took pride in repeatedly remaking the same basic film endlessly.  We’re finally done with Chabrol—which means it’s time to skip back in time to one of Chabrol’s idols, Fritz Lang.

If you want to play along at home, TCM will be screening The Big Heat on Friday December 20th.  It’s as hard-hitting and bold as any American film noir—which is appropriate, for a film that found Lang updating his Dr. Mabuse franchise for American audiences.

[...MORE]


KEYWORDS: Fritz Lang, Glenn Ford, Gloria Grahame, The Big Heat (1953)
COMMENTS: 5
SUBMIT

Daliwood

Salvador Dali’s surrealist career was bookended by his experiences in the movies.

I have to couch that statement with the limiter “surrealist career” because Dali was a prolific and prodigious talent whose larger artistic career in toto is almost incomprehensibly vast—he was painting like a pro when he was a small child, and kept at it until 1989.  That’s right, Dali was around to witness the first Internet virus.  Just wrap your head around that.

But… he is known and celebrated primarily as a surrealist, and it is that phase of his career which intersects the world of movies.  And therein lies our tale.

dali13

[...MORE]

Hate Binges: The Big Heat and The Lawless

The post-WWII economic expansion exploded in 1950, as the GI Bill’s low mortgage rates stoked a housing boom and pent-up consumer demand propped up retail. Success was there for the taking, but not for all. Two early 50s films that are hitting home video in impressive transfers,  Joseph Losey’s The Lawless (1950, on DVD 5/29 from Olive Films) and Fritz Lang’s The Big Heat (1953, now out on Blu-Ray from Twilight Time), documented some of the anxieties caused by this enormous upheaval in American life, what would be the start of the greatest stretch of economic growth in U.S. history. More money meant more crime, and The Big Heat is a nightmare rendering of the American Dream, as good cop  Glenn Ford loses his nuclear family and just goes nuclear. The Lawless is an earnest morality play about the plight of migrant fruit pickers in Southern California, doing the work Americans left for office gigs (by 1956 a majority of U.S. workers held white rather than blue collar jobs).

[...MORE]

Remaking Metropolis

Complete but not definitive

Last year I had the privilege of participating in the Blu-Ray restoration of the restored version of Metropolis (the UK Blu-Ray edition at least, from Masters of Cinema), recording an audio commentary alongside Jonathan Rosenbaum.  It was a tremendous thrill to see this once-lost footage brought back into circulation—it makes you think that maybe anything is possible.  But for all that was positive about the experience, there was one point of frustration, centered on how the restored edition was marketed.  And to explain my contrarian position, we need to back up over eight decades and tell the convoluted story of multiple Metropoli.

[...MORE]

Streamline is the official blog of FilmStruck, a new subscription service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films.