Susan Doll (aka suzidoll)
Susan Doll

When I was six years old, my cousins took me to see my first film in a theater-a matinee of Visit to a Small Planet, starring Jerry Lewis, at the old Bula Theater in Ashtabula, Ohio. And, I have been hooked ever since.

As a kid, I was always breaking up weekend playtime activities with my neighborhood friends because I had to go home to watch the Saturday afternoon movie shown on a local television station. Despite the missing scenes, bad splices, and millions of commercial breaks, watching On the Town, The Road to Utopia, Bringing Up Baby, and even the Bowery Boys\' adventures was always worth it. As a matter of fact, my week was organized around the movie schedules of Cleveland\'s TV stations: Weekday afternoons were reserved for the horror and suspense films hosted by the legendary Ghoulardi; on week nights, I watched major Hollywood movies with parents on Monday, Wednesday, or Saturday Night at the Movies. Much to my teacher\'s chagrin, I was the only kid in my third-grade class who habitually watched The Late Show, and then during the summers, The Late, Late Show. What she didn\'t realize was that I was getting a cultural education.

In college, I discovered film classes and couldn\'t believe someone was actually going to give me a college degree in "movies." I couldn\'t think of anything better than sitting in a classroom watching westerns, screwball comedies, Cuban films, Russian films, Italian films, thrillers, documentaries . . . and then talking about them! I rode that train as far as it would go, finally getting a Ph.D. in film studies from Northwestern. If there had been another level of degree I would have stuck around for that.

Since then, I have been able to parlay my obsession into a career by teaching, researching, and writing about the movies for over 20 years. How lucky is that? And, thank you Jerry Lewis.

Posts by Susan Doll

When I was in the film program at Northwestern University in Chicago, my peers and I were required to read the works of Walter Benjamin, John Berger, Michel Foucault and even Freud, Jung and Marx. The idea was to apply their theories to the cinema to better understand how film worked, or how it related […]

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To view My Favorite Year click here. Peter O’Toole utters the infamous line above at a strategic moment in the comedy My Favorite Year (1982), which is currently streaming on FilmStruck. As part of the fabric of our pop culture, the line is familiar even to those who have not seen the film. At first […]

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To view FilmStruck’s “Early Otto” theme, click here. The Golden Age of Hollywood seems so all-American, so homogeneous in its style and so uniform in its production practices. Yet, many of its directors were Europeans who both contributed and conformed to the industry. One of those directors was Otto Preminger, and his Golden Age films […]

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To view Laura click here. To view Fallen Angel click here. In retrospect, Otto Preminger has never been included in the pantheon of iconic Golden Age directors—Ford, Hitchcock, Welles, Hawks, Wilder, Capra. Sometimes, his career is covered in film history texts, largely because of his work in the 1950s. Preminger’s career ended with a few […]

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To view Green for Danger click here. One of the advantages of streaming is having an entire catalogue of films at your fingertips to explore titles that would otherwise go unnoticed. This summer I decided to focus my viewing attention on British films, partly because so many of them were unknown to me and partly […]

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Charlie Chaplin—an icon of cinema—flirted with the fine arts. He sketched on occasion, and he could converse about art and music in social situations, but his strongest connection to the world of art was his friendship with illustrator Ralph Barton. During the 1920s, Barton was a highly successful caricaturist and cartoonist, whose work was elevated […]

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To view Obsession click here. I know what you are thinking. Obsession (1976), the Hitchcock-inspired horror film by Brian DePalma about reincarnation, may not be his most respected work, but it is hardly forgotten. And, then there is Luchino Visconti’s Italian version of The Postman Always Rings Twice, Ossessione (1943), which is often listed in […]

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To view The Party click here. One of the most surprising and gratifying movie screenings I experienced in recent years was The Pink Panther (1963) in full Technirama at the 2012 TCM Classic Film Festival. I had seen the film many times on television, and I thought I knew all of the funniest bits, but […]

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To see the Ingrid Bergman films available on FilmStruck, click here. Ingrid Bergman stepped in front of a camera for the first time 85 years ago. Bergman fans will be delighted to discover that FilmStuck offers 13 of her films, including a recent documentary by Swedish critic and filmmaker Stig Bjorkman titled Ingrid Bergman In […]

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To view Caesar and Cleopatra click here. In 1951, surrealist artist Man Ray, who was a fan of the cinema, quipped, “The worst films I have ever seen, the ones that put me to sleep, contain ten or fifteen marvelous minutes. The best films I have ever seen only contain ten or fifteen worthwhile ones.” […]

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