Susan Doll (aka suzidoll)
Susan Doll

When I was six years old, my cousins took me to see my first film in a theater-a matinee of Visit to a Small Planet, starring Jerry Lewis, at the old Bula Theater in Ashtabula, Ohio. And, I have been hooked ever since.

As a kid, I was always breaking up weekend playtime activities with my neighborhood friends because I had to go home to watch the Saturday afternoon movie shown on a local television station. Despite the missing scenes, bad splices, and millions of commercial breaks, watching On the Town, The Road to Utopia, Bringing Up Baby, and even the Bowery Boys\' adventures was always worth it. As a matter of fact, my week was organized around the movie schedules of Cleveland\'s TV stations: Weekday afternoons were reserved for the horror and suspense films hosted by the legendary Ghoulardi; on week nights, I watched major Hollywood movies with parents on Monday, Wednesday, or Saturday Night at the Movies. Much to my teacher\'s chagrin, I was the only kid in my third-grade class who habitually watched The Late Show, and then during the summers, The Late, Late Show. What she didn\'t realize was that I was getting a cultural education.

In college, I discovered film classes and couldn\'t believe someone was actually going to give me a college degree in "movies." I couldn\'t think of anything better than sitting in a classroom watching westerns, screwball comedies, Cuban films, Russian films, Italian films, thrillers, documentaries . . . and then talking about them! I rode that train as far as it would go, finally getting a Ph.D. in film studies from Northwestern. If there had been another level of degree I would have stuck around for that.

Since then, I have been able to parlay my obsession into a career by teaching, researching, and writing about the movies for over 20 years. How lucky is that? And, thank you Jerry Lewis.

Posts by Susan Doll

To view A Short Film About Killing click here. I used to work in the DVD division of Facets Multi-Media, a Chicago arts organization devoted to showing, distributing and preserving foreign, avant-garde and documentary films. Facets was the first to own the North American distribution rights to The Decalogue, Krysztof Kieslowski’s ten-part series inspired by […]

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To view What’s Up Doc? click here. Next year, I plan to teach a course on romantic comedy covering the Golden Age through the contemporary era. Not surprisingly, the choices to represent the Film School Generation are limited. It’s not that there were no romantic comedies during the late 1960s through the 1970s, but it […]

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To view All Night Long click here. Basil Dearden is not generally a name that stirs excitement in the hearts of movie fans, or even classic movie lovers. I knew him as a British director who had worked in the 1950s and 1960s, but he did not make horror films for Hammer, and though he […]

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To view the work of Ida Lupino available on FilmStruck, click here. Ida Lupino was groomed for stardom by Paramount during the 1930s and achieved it at Warner Bros. in the 1940s. Yet, she loathed the star system, which turned actresses into manufactured personas that required them to behave offscreen as they did on-screen. However, […]

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To view the “Anthony Mann/John Alton Noir” theme on FilmStruck, click here. Anthony Mann gained a reputation for creating lean, mean film noirs with the help of cinematographer extraordinaire John Alton. Mann’s stylish direction and memorable characters in film noir, as well as in Westerns and dramas make him a favorite among classic movie lovers. […]

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To view Happy Together click here. One of my favorite directors, Wong Kar-wai, is represented in FilmStruck’s new theme “Gay and Lesbian Cinema.” His film Happy Together (1997), a deceptively simple story about a gay couple in a turbulent relationship, earned him the director’s prize at the Cannes Film Festival and was also nominated for […]

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To view Party Girl click here. In 1958, Nicholas Ray directed his last film under the old studio system in Hollywood. Titled Party Girl, the film did not inspire a lot of passion among the participants during production. According to Ray in a biography, Party Girl was merely a down and dirty movie produced by […]

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To view The Devil and Daniel Webster click here. The Devil and Daniel Webster (1941) exists outside the conventions and formulas of typical Hollywood genres, vexing those critics and writers who like to categorize. Currently streaming on The Criterion Channel of FilmStruck, the film does not belong to horror, melodrama or historical drama, though critics […]

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To view Sling Blade click here. Articles about Billy Bob Thornton’s films, scripts or starring roles inevitably bring up some combination of his eccentric behavior, Southern background and strange marriage to Angelina Jolie. Any one of those personal details might drive mainstream reviewers to ridicule or dismiss the films he has written and/or directed, but […]

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To view Confessions of a Dangerous Mind click here. Innovative game show creator Chuck Barris, one of my favorite showbiz figures, died in March of this year. Obituaries rightly acknowledged his influence on reality television. While he created many game shows as head of Chuck Barris Productions, there are three that made pop culture history. […]

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Streamline is the official blog of FilmStruck, a new subscription service that offers film aficionados a comprehensive library of films including an eclectic mix of contemporary and classic art house, indie, foreign and cult films.