Little Big Strongman

LONG GOOD FRIDAY, THE (1980)

(You want spoilers? We got spoilers! Tons of ‘em! Beware!)

He’s not very big in stature but thinks he is. Put another way, he realizes he can be physically imposing but likes to think his true power comes from his ability to sway people to his side, including wealthy foreigners who, he insists, will pay for his real estate project. They’re even coming to meet with him to discuss it and, as far as he is concerned, he is at the top of his game. This is his shining moment, when he will consolidate power and respect, and finally show everyone how much they’ve underestimated him. Then, for reasons this little man cannot understand, his world begins to fall apart. Hidden enemies lurk behind every door and, even though it’s clearly a lie, he trys to assure everyone around him that he’s hugely popular and everything is under control. That’s Harold Shand, gangster with a chip on his shoulder, at the center of the 1979 crime thriller The Long Good Friday.

Harold Shand, as played masterfully by Bob Hoskins (but I probably don’t need to tell you that), is a small, petty man who wants something more than respect, he wants legitimacy. He’s sure he will get it when his big development scheme on the London docks comes to fruition after he secures the funding he needs for the project. He doesn’t have the money himself but is sure he can get someone else to pay for it. And why shouldn’t they? After all, as Shand never tires of reminding everyone, he negotiated peace in the London underworld that has lasted for ten years. Everything is going well for him. He even has a beautiful and intelligent mistress that supports him and guides him when he needs it. And there are so many people loyal to him. What can go wrong?

That’s when the bombs start going off. And the deaths start mounting. And the feeling that people are out to get him becomes clear, but who? And why?! Why are they ruining his perfectly good opportunity to show everyone how great he is?! Don’t they know this is the worst possible time they could have chosen?! Don’t they know that?! The foreign investors, the so-called Mafia, are getting nervous about putting money behind a project run by a man so clearly out of control and undisciplined. He needs to find out soon who is doing this to him and why.

LONG GOOD FRIDAY, THE (1980)

Then he finds out. It was one of his own loyalists who implicated him to the IRA, the group responsible for the bombings. Why did his ally implicate Shand as the person responsible for killing IRA terrorists, even though Shand wasn’t responsible? Because, amazingly, he was being tortured and gave false information to stop the torture. Funny how it works that way.

So where does this leave Shand? Well, he needs to set everything back in order and at the same time maintain his image as a strong man in control of his own world. He could set up a meeting with those responsible, explain what happened and pay them for their time. And why wouldn’t he? What good would come of promising to pay them but then not paying them in the end? How would that work out better? How would not paying them but simply killing them help him? Well, it wouldn’t, but he doesn’t seem to understand that.

Eventually, the Mafiosos tell him to take a hike and all he can think to do is tell them nobody needs them and he’s got somebody better. And then he gets into his car and finds out that his loyalists aren’t anywhere to be found and there’s a guy in the front seat who looks an awful lot like James Bond with a gun pointed at him. He sees his mistress in another car with more guys just like the James Bond guy and clearly they work for the IRA. She’s being taken away to be murdered and it’s pretty damn clear the same fate awaits him. Remarkably, nothing worked out the way he wanted.

LONG GOOD FRIDAY, THE (1980)

Then, in a quite extraordinary final shot, the camera lingers on Shand, sitting in the back seat, thinking about… well, we don’t know exactly but thanks to the man playing him, we have a pretty good idea. He’s thinking about everything, all of it. He’s thinking about every mistake he ever made. He’s thinking about how he could have gotten into this, and how he could have gotten out of it. He’s thinking about how great it would have been if just one thing had gone his way. He’s thinking, probably, that he deserves this. Not because he’s a bad man, although he is, but because he let his guard down and anyone who lets his guard down is weak. He’s weak. He should have seen this coming.

Bob Hoskins enjoyed breakout success with this movie and despite a well rounded film career, albeit too short, he never got a better role. Harold Shand ranks alongside Tom Powers, Enrico Bandello, and the two Tonys of Scarface, Camonte and Montana, as a character who thinks power will ultimately immunize him against threat. Like them, he’s wrong. And the movie hearkens back to an era in which the criminal was not as romanticized as they were in the dark, smoky rooms of The Godfather. Shand is tacky, gaudy, and crass. He’s a classless guy who thinks ostentatious shows of wealth, like a yacht on the Thames, place him in a higher societal sphere. It doesn’t but he’s determined to believe it does.

The Long Good Friday is available on Filmstruck under their Neo Noir theme. If you haven’t seen it, don’t wait until Easter, see it now. If you have seen it, watch it again. It makes any long Friday feel shorter.

Greg Ferrara

15 Responses Little Big Strongman
Posted By swac44 : January 27, 2017 5:18 am

Brilliant gangster film, nothing since has really come close, at least in the UK milieu. If Hoskins had only done this and Mona Lisa, his status as one of the greats would still have been assured.

Posted By Doug : January 27, 2017 6:01 am

Anyone else getting a Edward G. Robinson/Little Caesar vibe from this post? Maybe the title sent me in that direction.
Hoskins richly deserves every accolade-he was an excellent actor.
Haven’t seen this film, though I will soon.

Posted By Greg Ferrara : January 27, 2017 10:18 am

swac, I totally agree. It’s interesting that his best work came in the first five or so years of his prominence. Hollywood wanted to make him a leading man but outside of certain gangster/tough guy roles (this one, Mona Lisa, Who Framed Roger Rabbit), he wasn’t the leading man type and there weren’t enough of those roles to go around.

Posted By Charles Gee : January 27, 2017 10:20 am

This film reminds of some real world guy.
Give me a sec and I’ll think of his name…

Posted By Greg Ferrara : January 27, 2017 10:20 am

Doug,

Right at the end of the piece I write, Harold Shand ranks alongside Tom Powers, Enrico Bandello, and the two Tonys of Scarface, Camonte and Montana, as a character who thinks power will ultimately immunize him against threat. Enrico Bandello is the Robinson character in Little Caesar. Robinson and Hoskins could have easily played both of those characters in different times. They’re quite similar.

Posted By Greg Ferrara : January 27, 2017 10:21 am

Charles,

You can’t think of his name? SAD!

Posted By Emgee : January 27, 2017 2:59 pm

“He’s a classless guy who thinks ostentatious shows of wealth, place him in a higher societal sphere.”

Regrettably, sometimes it does….

Posted By Greg Ferrara : January 27, 2017 3:00 pm

Regrettably, I have to agree.

Posted By chris : January 27, 2017 3:23 pm

God! I loved this movie! Anybody thinking that they’re having a bad day should sit down and watch this. The last shot of Helen Mirren being driven away to her doom sent chills down my spine.

Posted By Doug : January 27, 2017 5:48 pm

I know that some people don’t care for Gilliam’s “Brazil”, but Hoskins is perfect in it. Ditto for “Hollywoodland” where he plays the same Eddie Mannix as Josh Brolin in “Hail Caesar!”…but with more menace.

Posted By swac44 : January 27, 2017 6:12 pm

It probably helped Hoskins land his role in The Long Good Friday after doing such stellar work in the Dennis Potter BBC mini-series Pennies From Heaven, later adapted into the feature film of the same name starring Steve Martin & Bernadette Peters. But the film isn’t nearly as good as the TV version, despite having a tap dancing Christopher Walken doing Let’s Misbehave.

Posted By Greg Ferrara : January 27, 2017 6:43 pm

Chris, that shot of her looking at Hoskins with horror on her face is chilling indeed. What a mesmerizing ending.

Posted By Greg Ferrara : January 27, 2017 6:44 pm

Doug, I have always liked Brazil and definitely like Hoskins in it. He and De Niro as arch-enemies should have been done again somewhere else as a full movie.

Posted By Greg Ferrara : January 27, 2017 6:46 pm

swac, I finally watched the Pennies from Heaven BBC version on YouTube about a year or two ago thanks to you talking it up. It was great.

Posted By Patrick Cooper : January 28, 2017 10:30 am

Fantastic piece on an amazing film. I agree that the final shot is “extraordinary.” No matter how many times I see the film, that shot gets me every time. Just that lingering, angry regret in his face…damn.

Few can pull off the sensitive tough guy properly, but Hoskins was a master of it. His line “All the time” near the end of Mona Lisa absolutely breaks my heart each time I watch it.

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